Word is blog
In my quest to learn more about filmmaking, I’ve watched countless hours of video interviews from filmmakers. For the most part, these interviews have been about the technical aspects of filmmaking (shot composition, story telling, etc.), but there are also a good amount of interviews that are about the journey of these filmmakers and their mindset. I’ve always believed that having the right mindset will take a person much further than just having a skill, so I’m always interested in hearing people explain what really motivates them.
Things have really started to come together the last couple of weeks for the release of my King No Crown film, so this update will feature a lot of announcements that I’m really excited about.
Its been a couple of weeks since I wrote any updates on the King No Crown movie that I’ve been working on. This wasn’t because things haven’t been happening or because I haven’t been working on the film–I certainly have–I just wanted to get a few things ironed out before I gave another update.
In my last update, I was deep in the not-so-fun post-production process. Although I’m not 100% finished with with post-production, I am very close. I’m at least close enough to where I feel comfortable moving forward with the next step, which is…
This has been an exciting week as far as progress for my King No Crown movie goes.
After a two-week setback that was caused by converting my entire film over to a newer version of Final Cut Pro, I finally finished redoing the color and most of the sound. This allowed me to get the film back where it was before I decided to convert it. Even better, because I now have more powerful features than I did before, things are actually looking and sounding better than they did before. Initially, I wasn’t happy about sacrificing two to three weeks redoing work I had already done but, now that it’s finished, I’m convinced it was worth it. It looks and sounds better than it did before all this, which is all that I could ask.
This week, I started working on a trailer for the film.
Today is the day. I have officially been sober for seven years today.
One of the coolest things about being sober is probably the fact that once you get sober your sober date kind of becomes your second birthday. That part is pretty awesome to me.
Throughout my entire creative career, I’ve been a man of few tools. While many of my peers were going crazy about and purchasing the latest and greatest music production gear, I was holding still, using the same old reliable gear that got me where I was.
As a former Information Systems guy, I was always curious about new gear and advances in technology of beat-making, but something didn’t seem right about constantly upgrading my gear before I had truly mastered it. So for the first seven or eight years of my music career I used the same gear; an MPC-2000 sampling drum machine, Pro Tools, a $99 mic, and my records.
If there’s one constant lesson I’ve seen during the process of making this King No Crown movie, it’s that there are always trade-offs. As simple as a decision may seem on the surface, it never really is simple. That’s because every decision has it’s benefits and it’s consequences.
Like most kids, I was huge fan of comic books growing up. In fact, I have to credit comic books as being the first thing I was ever excited about reading. Regular books were just boring to me, at least until I was fifteen or sixteen years old. But even as a teenager, I wasn’t very much into reading. Back then, we were too busy running around and playing sports to sit down and dedicate significant time reading anything that was beyond our school assignments.
Things really changed for me when I stopped drinking. All the sudden my mind started clearing up and I had a burning desire to read and learn more. So, for the first time in my adult life, I got a library card. Ever since then my reading habits have been strong and steady. I look up books online, then check them out from my local library if they’re available. I do buy many books that I think I would like to keep as reference but, overall, the Columbus Public Library is my go to spot.
For the last two weeks, I’ve been knee deep in revising my first film King No Crown. Obviously I’ve been gradually revising it throughout the entire process but, as I get closer to the end, the revisions start to get a little more involved and intensive.
People often ask me how I get so much done.
From music, to books, to podcasts it’s clear that I do a lot, but my work habits are very different than what people assume them to be.
For those who listen to my podcast, you heard me announce this week that I am in the final stages of finishing my first movie, a documentary called King No Crown.
While it is completely possible to get a decent sound out of a microphone without using a preamp to boost the signal, most people who are serious about their sound prefer to use one. In fact, I would say mic preamps are more prevalent now than ever, even if they’re less obvious as they use to be. Preamps, which were usually once only available as a external pieces of gear, have started to become built internally into other recording gear that people already buy. As a result, some people may never really feel that they need a preamp for their particular studio setup. Those that do need a proper mic preamp are always on the search for something effective.
This brings me to the second piece of gear that I’d like to talk about in the Tools of the Trade blog series, the Fethead Mic Preamp.
Anybody who’s a fan of sports is familiar with the term “strength of schedule.” Strength of schedule refers to how good or bad the opponents of a particular team were at the time that they played them. So, for example, if my team was 1-1 and played against one team that was 2-0 and another that was 1-1, my strength of schedule would be considered stronger than another 1-1 team who played against teams that were both 0-2. The teams I played against had better records, so my team had a better strength of schedule.
One of the most frequent questions I get when I meet other artists is about the gear I use to make music with. It might even be the most frequent question I ask other artists as well. I think the reason we are fascinated with this is because it gives us an inside look into another person’s process. It also allows us to learn about new gear without using or purchasing it.
By no means do I consider myself an expert on gear, but I would like to start blogging more about specific gear I use frequently. I will call this series of short blogs Tools of the Trade.
The first piece of gear I would like to review is the Shure SM58 dynamic microphone.
The first time I ever messed with real estate was in 2006. After saving up some money, I decided to buy a distressed property. My plan was to take a few months while I wasn’t touring to have it rehabbed, then rent it out for some future passive income.
The plan seemed simple enough but there was one major flaw: I had never rehabbed a property before in my life. I had completed several smaller remodeling jobs in my own house, but nothing on the level of what would be necessary to finish this project alone. Thankfully a friend of mine, who had mentored me through the purchasing process to that point, had a contractor that he worked with and recommended me. This contractor had helped him with his previous property and was said to have been a good guy.
Unfortunately, the experience I had with that contractor was nothing like his.