If you’ve paid attention to the Minneapolis hip-hop scene as long as we have, then have probably heard of MC and Beatboxer Carnage the Executioner. A close friend and collaborator with Eyedea, and a part of the extended Rhymesayers crew, Carnage has been tearing up stages for a long time. This week on the most infamous podcast on planet earth, we dive deep into his history, and breakdown the traits that have made Carnage successful. Lets go!
If you’ve been a fan of underground hip-hop as long as we have, then you probably know who MC/Producer J-Zone is. After releasing his 2011 book, Root for the Villain, which detailed the collapse of his rap career, he began his transition from a hip-hop artist into a full-time drummer. This week on the most infamous podcast on planet earth, we dive deep into his journey and breakdown the traits that have made J-Zone successful. This is one for the books. Lets go!
Yesterday Blueprint announced that his latest release, the Vigilante Genesis EP, will be released on May 27th and is produced entirely by Aesop Rock. One of the details Blueprint has dropped about the record is that it is a heavily conceptual, story album. So we decided to spend this episode speaking about storytelling. First, Illogic interviews Blueprint about Vigilante Genesis and then we lay down our thoughts on the Top Five Storytellers in hip-hop. If you want to support the Vigilante Genesis project, preorder bit.ly/VGpreorder
I first got familiar with Maw several years ago when he popped up on the Weightless Recordings forums. He quickly became a regular poster and welcome contributor. Although his conduct was very mature, we soon found out that he was only a teenager at the time, which made him the youngest regular on our forum. Even more interestingly, we found out that he was from Finland and english was his second language. You never would have guessed it by the way he interacted with everybody.
Over time, Maw started getting into hip-hop production and posting his beats in our “show & tell” forum. His beats were decent at the beginning – especially for a young kid who didn’t even seem to have any equipment – but he seemed to get exponentially better every time he posted something. Eventually he was damn good. From there, I always kept my eye on him, and every year he gets better and better. It’s reached the point where I check out anything he releases and try to spread word about him as much as possible. Continue reading →