One of the most frequent questions I get when I meet other artists is about the gear I use to make music with. It might even be the most frequent question I ask other artists as well. I think the reason we are fascinated with this is because it gives us an inside look into another person’s process. It also allows us to learn about new gear without using or purchasing it.
By no means do I consider myself an expert on gear, but I would like to start blogging more about specific gear I use frequently. I will call this series of short blogs Tools of the Trade.
The first piece of gear I would like to review is the Shure SM58 dynamic microphone. Continue reading
“It is easy to like the youth because they are young. They have no faults, except the very ones which they are asking you to eradicate: ignorance, shallowness, and inexperience. The really hateful faults are those which we grown men and women have. Some of these grow on us like diseases, other we build up and cherish as though they were virtues. Ingrained conceit, calculated cruelty, deep-rooted cowardice, slobbering greed, vulgar self-satisfaction, puffy laziness of mind and body–these and the other real sins result from years, decades of careful cultivation. They show on our faces, they ring harsh or hollow in our voices, they have become bone of our bone and flesh of our flash. The young do not sin in those ways. Heaven knows they are infuriatingly lazy and unbelievably stupid and sometimes detestably cruel–but not for long, not all at once, and not (like grown ups) as a matter of habit or policy. They are trying to be energetic and wise and kind. When you remember this, it is difficult to not like them” – Gilbert Highet (from The Art of Teaching,1950)